On using ArcMap Collector as a mobile app for SSV

Since its inception, Stories of the Susquehanna has been a collaborative, interdisciplinary Screenshot 2014-05-08 21.41.18digital project that has at its core a geospatial interface. What started out as historical/cultural mapping of the Native American landscapes of the Susquehanna in ArcMap Desktop with maps published in static image format (as discussed in the interviews of me and Emily Bitely) has evolved through the iterations of ESRI’s software development.

About a week ago, one of our Digital Scholarship Coordinators and SSV  project manager, Diane Jakacki pointed to to the fact that ESRI was now publishing apps. photoAt first skeptical, I proceeded to delve further into the Collector app and battled my way through tutorials designed for insurance adjusters gathering data in the field (no, I don’t need fields labeled “Habitable” or “Partially Destroyed”) to create a feature layer that could be added to any map in ArcMap online. This feature layer was supposed to be able to both locate you in the field and allow you to input field data in real time at the same time as giving you access to the rich data associated with points and lines in pop-ups. The new feature layer could also permit the attachment of photos and video.

My co-PI, Alf Siewers and I had been discussing over the last few months how we could best create this kind of mobile interface and had been in long discussions with both Diane and Andy Famiglietti as to how this might happen. This app seemed to me to offer us a ready made way to send our students out into the field to collect data, upload it, and also see it within the context of the historical information that had already been collected.

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Add Feature window showing the fields and photo upload option

After some tussling with an outdated version of ArcMap (10.0 vs. 10.2) and successfully navigating our excellent ArcMap Online resources, I was able to author and upload a prototype of a multi-layered interactive map of the Susquehanna watershed that had the mobile features I wanted (well, almost). However, one field caused the app to crash repeatedly and I knew I had to re-author it in Desktop.

Enter my Presidential Fellow, Steffany Meredyk. Today, as almost a final collaborative act after four years of working together, Steffany and I worked out the problem;  now we can test out an interactive crowdsourcing feature layer for online maps of the Susquehanna this weekend on the North Branch Kayaking Sojourn. Whoops of joy were detectable…. but not uploaded…

photo-1The Collector app has a rich potential for data gathering in the field. Whether to record information on bird populations, the state of repair of the rail-trail, tracking  plant coverage, or encouraging crowdsourcing of local history, this is an exciting and versatile digital step forward in our work of bringing the Stories of the Susquehanna alive.

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The Limits of Cartesian Space

Steffany Meredyk ’14/Profs. Katherine Faull (German/Comparative Humanities) and Duane Griffin (Geography) (Bucknell), ‘Not Merely Overrun, But Destroyed: The Sullivan Expedition Against the Iroquois Indians, 1779‘
Steffany Meredyk ’14/Profs. Katherine Faull (German/Comparative Humanities) and Duane Griffin (Geography) (Bucknell)

Over the last three and half years, I have been working with Steffany Meredyk, Class of 2014, on the Cultures at the Confluence project.  What started out as a mainly textually based project to transcribe and translate the Moravian mission diaries from Shamokin, Pa has turned into a far more complex and rewarding investigation into the limits and challenges associated with spatial representation in historical narratives.  In our collaboration, Steffany and I have grappled with the question of how to represent cartographically the lived experience of those who traversed the Susquehanna Country in the mid-18th century. While I was working on creating the textual edition of the diaries, Steffany started taking courses on GIS.  One of the first maps she produced, in a class with Prof. Duane Griffin, shows her early engagement with critical GIS, following the models presented by Margaret Pearce in her work on indigenous mapping.[1]  Steffany drew on archival materials to embed the observations of Sullivan’s troops into the map she drew to depict the advance of the campaign to eradicate the Iroquois along the North Branch of the Susquehanna River in 1779.  As she writes: “During the American Revolutionary conflict, the Iroquois Indians gave divided military support to American colonists and the British loyalists. As a result General George Washington ordered General John Sullivan in May 1779 to invade Iroquois Country, destroy Indian villages, and burn all food crops or potential resources for Indian war parties or communities. Sullivan’s troops destroyed nearly 60 Indian villages from June through October 1779. Behind him, he left not only a path of physical destruction but also a decimation of Native American communities and cultural systems that can be argued to be systematic genocide… “This map represents where Sullivan’s main army marched and the villages and places that it decimated in the summer of 1779. The troops began their march in Easton, Pennsylvania and follow the North Branch of the Susquehanna River up to the Finger Lakes area in present-day New York. Journal entries of military officers in Sullivan’s army embedded along the war path tell narratives of the journey and shed light on the perspectives of the men during the American Revolutionary Era. Through the journal entries, of Sullivan’s warpath, and the inclusion of quotations, this map provides insight into the great devastation of Iroquois country and the minds of the men who ravaged it.”

Steffany Meredyk ’14, Bethany Dunn ’14/Prof. Katherine Faull
Steffany Meredyk ’14, Bethany Dunn ’14/Prof. Katherine Faull

In the summer of 2012, supported by funds from the Chesapeake Conservancy, Steffany and another student, Bethany Dunn ’14 worked on a mapping project on the main stem of the Susquehanna River between Harrisburg and Sunbury.  This project was far more ambitious: to map the river not as a continuous geographical feature but rather as a segmented and complex corridor of fear.  The mid-eighteenth century saw the multiple murders of both Indians and settlers along the river, the most notorious of these being the Paxton Boys massacre of the Susquehannock Indians at Conestoga and the Frederick Stump murders on Middle Creek.  Steffany set out to represent the increasingly racialized politics of the Pennsylvania Backcountry, again drawing on manuscript maps, archival materials, journals, letters, and broadsheets to map the complexity of human experience.  This draft is currently the subject of Steffany’s Honors thesis in Geography at Bucknell University.  

          [1] M. Pearce and R. Louis. Mapping Indigenous depth of place. American Indian Culture & Research Journal, Special Issue, “Mainstreaming Indigenous Geographies,” 32 no. 3 (2008), 107-26.

The Place of Tunkhannock in the Cultural History of the Susquehanna River

Yesterday I made my way up roads that were once Indian paths to one of my favorite places in North East Pennsylvania, Tunkhannock (click for ppt presentation).  The invitation to speak on the cultural history of Tunkhannock and its place on the Susquehanna River came from Margie Young, Program Coordinator of the Wyoming County Cultural Center/Dietrich Theater and was supported by the Pennsylvania Humanities Council.

Continue reading “The Place of Tunkhannock in the Cultural History of the Susquehanna River”